Discover Top Video Editors - Documentary in Baltimore, Maryland, USA

Experienced video Director /DP /producer, and Editor , photographer and Drone Operator with FAA Part 107 license and insurance . Team player, skilled at pre-visualization and working with variety of clients to create storyboards and help conceptualize ideas tailored to their needs and messaging. Work with commercials, branded content, Documentaries and corporate videos - internal and external, I am adept at taking a project from initial concept all the way through to final deliverables. In addition I film 360 VR videos, do live streaming, and have done lots of aerial filming all around the world. I have done extensive work with animators and graphic designers and have experience with green screen filming and lighting. In addition I have extensive studio experience in both still and video productions. I have contacts at numerous companies and am great at pitching and bringing in new business. I edit on Premiere and After Effects and have several drones including the Inspire and Mavic 3 Pro.

• News Shooter / Video Journalist
• Creative Director
• Field Producer
• Commercial DP
• Video Editor - Commercial
• Production Company
• Documentary DP
• Drone Operator
• Full-Service Live Production
• Immersive/Spatial Video Capture
• TV News Producer
• Fixer
• Video Editor - News
• Video Editor - Documentary
• Mobile Journalist / Livestreamer
• Sound Mixer
• Reporter / Journalist
• Event Photographer
• Corporate Videographer
• VR / AR
• Production Assistant
• Non-Fiction Film Director
• Art Director

Visual journalist (photo and video) currently based in Washington, DC specializing in documentary and editorial visuals whose work has been published on CNN, NBC News, AJ+ (Al-Jazeera), Fusion, NPR, and other news outlets in addition to working corporate clients such as the United Nations Higher Commissioner for Refugees (UNHCR), The Human Rights Campaign, Starbucks, People Magazine, etc. Armando finished his tenure as a communications fellow in 2014 at the United Nations University for Peace where he also worked as their official photographer/videographer documenting the different dignitaries and events occurring at the University. He also received a Master's in Media, Peace and Conflict studies from the aforementioned institution and holds a Bachelor's in Political Science. Armando's work has been exhibited in California and Washington, DC where he received 'Best in show' during the 'Exposed DC' exhibit at the Longview Gallery. He's also a proud alumni of the Eddie Adams Workshop XXIX. For more on his work visit: www.okaybokeh.com

• Documentary DP
• Video Editor - News
• Editorial Photographer / Photojournalist
• Reporter / Journalist
• News Shooter / Video Journalist
• Translator
• Commercial DP
• Sound Mixer
• Mobile Journalist / Livestreamer
• On-Air Reporter / Host
• Creative Director
• Field Producer
• TV News Producer
• Production Company
• Drone Operator
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant
• Fixer
• Immersive/Spatial Video Capture
• Corporate Videographer
• Senior Producer / Project Manager
• Production Coordinator / Crewing
• Transcriber
• Event Photographer
• Landscape Photographer
• Portrait Photographer
• Product Photographer
• HD Live Operator
• Full-Service Live Production
• Non-Fiction Film Director

Hello friend! My name is Jason, and I wanted to tell you a little bit about who I am and how I got here. I grew up in Cleveland, Ohio, where as a young kid, I earned the nickname, Creative Boy, due to my constant outflow of youthful creative energy. Whether it was performing for my family, building things out of toilet paper rolls, writing stories on the Word Processor, filming skits with my cousin, or learning how to use a computer, I was constantly pushing the limits of my creative mind. In 2003, I ended up in New York City, where I went to NYU Film School and earned my BFA. My college education set the foundation for a career in the arts and entertainment industry. And I’ve had an incredible career so far! I’ve traveled the world with my video camera in hand, from Beijing to Haiti, Bonnaroo to SXSW, and the Grammys to the Oscars. I’ve gotten the chance to talk to amazing people, film and edit inspiring stories, and make friends, all while staying true to my creative nature and drive! My passion is telling stories, and I’ve found that the best way for me to do that is through documentary filmmaking. Documentaries allow me to craft a story, and put the puzzle pieces into the right place. I can apply my skills as a musician as well, as music and rhythm are a huge part of any documentary project. At the end of the day, I have found that making documentaries is what I love to do more than anything else! Thanks for reading!

• Video Editor - News
• Fixer
• Production Assistant
• Event Photographer
• News Shooter / Video Journalist
• Documentary DP
• Video Editor - Documentary

I am a digital video producer with experience and proficiency in everything from story development, videography, video editing, audio mixing and motion graphics. I am all around producer who can see projects through from conceptualization to final cut. I have produced, shot and edited content for Business Insider, Hearst Digital Media and currently for CNBC Digital. Within those companies I have worked on everything from feature length documentaries to shot form viral video content across multiple media platforms. Most recently, I had the pleasure of working on a 2019 Tribeca Film Festival short Film selection “Stanley Stellar” as colorist and motion graphics artist. My background is in observational documentary filming, and I am deeply passionate about beautiful visual storytelling and non-fiction media, no matter the platform. Please visit www.davidswfang.com to see my full portfolio.

• News Shooter / Video Journalist
• Documentary DP
• Senior Producer / Project Manager
• Colorist
• Video Editor - Documentary
• Sound Mixer
• Motion Graphics Designer
• Animator / Visual Effects Artist

We are a group of content creators and publishing platforms that understand what companies need to succeed in the world today. ​Stoic Media creates the best quality content for brands and has the ability to organically amplify it across a network of online social-first publishers at scale. Stoic Media brings a unique value proposition unlike any other media company in the space. Our team produces professional social-first original content at very cost-effective rates. The content's rights are then passed onto brands, companies and organizations so they can better engage with their customer base. Stoic Media creates and supports multiple forms of content such as 2D and 3D Video, Animation, Design, Infographics, Instagram/Facebook Stories, Editorial Content and more. Stoic Media supports a network of social first publishers where brands, companies and firms can distribute content organically. As a result, brands receive higher engagement rates and more scale for a lower price.

• Production Company
• Video Editor - News
• Video Editor - Commercial
• Corporate Videographer
• Video Editor - Documentary
• Post-Production Manager
• Creative Director
• Animator / Visual Effects Artist
• Motion Graphics Designer
• TV News Producer
• Social Media Producer
• News Shooter / Video Journalist
• Reporter / Journalist

I am the co-founder and executive producer of Reframe, a creative content agency founded on the belief that stories can change the world. We are a team of change-makers, do-gooders, pioneers, and mavericks aimed at creating engaging and inspiring content through meticulous research and strategy, artful storytelling, and captivating audience engagement. We collaborate with a roster of directors, technologists, designers, strategists, and producers to create powerful content for a global audience. We specialize in film and video, research and strategy, campaign design and branding, and experience design. During our team’s tenure, we have produced award-winning multi-platform content and campaigns for a range of brands and organizations, large and small. Some our team’s past notable clients include: the New York Times, Red Cross, AT&T, Viacom, the United Nations, Malala Fund, and Alicia Keys’ We Are Here Foundation.

• News Shooter / Video Journalist
• Documentary DP
• Commercial DP
• Creative Director
• Production Company
• Field Producer
• Video Editor - Commercial
• Video Editor - Documentary
• Immersive/Spatial Video Capture
• Senior Producer / Project Manager
• Production Coordinator / Crewing
• Series Producer / Show Runner
• Video Editor - News

Ryan is a New York-based filmmaker with a flair for turning subtle, everyday moments into compelling stories with broad appeal, particularly through the universal language of sports. His journey behind the camera began on the sidelines of high school football games in Texas. As he moved on to film and documentary work, Ryan developed a profound belief in the power of empathy, drawing from a tapestry of his own diverse human experiences that would inspire his approach to narratives that resonate deeply and authentically. Educated at NYU's graduate film program, Ryan's foundation in filmmaking is robust, recognized by industry accolades such as the Best Test Commercial at YDA in Cannes for his Nike spot "Buckets". His debut transcends the arena of sports, offering a lens into the human condition and capturing the collective ethos that brands and agencies strive to embody. With an eye for the emotive force of storytelling, Ryan’s ambition is to craft campaigns that don't just sell, but also tell a story that audiences will remember and feel a part of. His vision for the future is expansive, seeking to collaborate on projects that challenge societal norms and ignite conversations. Brands and agencies should partner with Ryan for his fresh perspective that blends the traditional with the avant-garde, his commitment to authenticity, and his proven ability to connect with viewers on an emotional level. His work is a testament to the potential of creative advertising to not just reach an audience, but to touch it profoundly. When not weaving narratives, Ryan is usually cooking at home in Brooklyn, or exploring the world’s coastlines with his fiancée Stephanie.

• Commercial DP
• Documentary DP
• Creative Director
• Production Company
• Non-Fiction Film Director
• Corporate Videographer
• Senior Producer / Project Manager
• Digital Content Creator
• Content Strategist

Alex Pritz is an Emmy and Peabody Award-winning documentary filmmaker based in New York City. Recently, Alex directed The Territory, which premiered at Sundance 2022 where it won both the Audience Award and a Special Jury Award for Documentary Craft. The Territory was shortlisted for the 2023 Academy Awards, nominated for three Critics Choice awards, a Gotham Award, a Producers Guild Award, and a record seven Cinema Eye Honors where it won for Best Debut Feature. The Territory was named a NYT Critics Pick, and was acquired by National Geographic Documentary Films for a theatrical release in the United States, Canada, the UK, Brazil, Aotearoa/New Zealand, and the Netherlands. The film is now available globally on Disney+. Alex won an Emmy for his work as a cinematographer on the feature documentary The First Wave (dir. Matt Heineman). He was also a cinematographer and field producer on Jon Kasbe’s feature documentary, When Lambs Become Lions (Tribeca 2018), and a co-director, cinematographer, and editor on the documentary short, My Dear Kyrgyzstan (Atlanta 2019). Alex is a co-founder of Documist, and has received grants from the Sundance Institute, IDA Enterprise Fund, Catapult Fund, Doc Society, and was named a 2023 BAFTA Breakthrough Fellow. Alex holds a B.Sc. (Ag. & Env.) from McGill University where he studied Environmental Science and Philosophy. In 2012, he received an inaugural Dalai Lama Fellowship for his work developing film curriculums alongside low-income communities in the Philippines. Alex has received Hostile Environments and First Aid Training, and studied French at the Middlebury Language Schools as a Kathryn Davis Fellow for Peace.

• Documentary DP
• Video Editor - News
• Editorial Photographer / Photojournalist
• Commercial DP
• Drone Operator
• News Shooter / Video Journalist
• Field Producer
• TV News Producer
• Production Company
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant
• Creative Director
• Mobile Journalist / Livestreamer
• Reporter / Journalist

I'm a freelance filmmaker and video journalist focused primarily on documentary projects. I'm currently picking up short-term gigs as a Freelance Producer, Editor, or Videographer while I work on a part-time commissioned short documentary based out of Nebraska. I most recently finished working on a project with production company Meerkat Media on a commission from Sesame Street in Communities. The project entails documentary-style educational videos about how to talk to kids about race and racism through observing real families in conversation with their children. Prior to delving into full-time freelance life, I worked as an Associate Producer on seven feature-length historic documentaries produced by CNN Specials as well as an observational film produced by HBO Max/CNN Films. Independently, with my production partner Sana A. Malik, I produced, shot, and edited the student BAFTA-award winning documentary, Guanajuato Norte. The film follows a migrant farmworker in Connecticut and his sacrifice of being away from his family to provide a better life for his children. The film went on to screen multiple film festivals and was acquired by The New Yorker’s Documentary Channel. I also co-directed the short film, Chief Standing Bear's Journey to Statuary Hall, for the Nebraska Commission on Indian Affairs with Judi gaiashkibos (co-director and EP.) Together, we made a film to be used as an educational resource, following the historical story of Ponca Chief Standing Bear and the modern-day journey of building a statue of his likeness to stand in the U.S. Capitol. In addition to working as a Director/Producer on commissioned short films and personal projects, I love helping established Director’s visions come to life as an Associate Producer, Editor, or Second Camera. I’m easily curious but particularly drawn toward stories about migration, family, social justice, and the meaning of home.

• Documentary DP
• News Shooter / Video Journalist
• Video Editor - Documentary
• Editorial Photographer / Photojournalist
• Video Editor - News
• Field Producer
• Non-Fiction Film Director
• Line Producer / On-Location
• Production Assistant
• Commercial DP
• Corporate Videographer
• Fixer

Hello there! My name is Spencer Bruttig and I am a Washington, D.C. based film producer, DOP and editor. I came out to DC from the SF Bay Area to help start a new documentary and podcast production company (Tegna and Vault Studios) but most recently joined Google as an in-house creative producer working on their marketing team. I am also the Cinematographer on the D.C. based narrative series "Anacostia," as well as the Baltimore Comedy series "Thespian." I am also the DP on the new reality television show "City Boyz DC." I have worked on sets big and small, and I have used a number of different camera packages from Sony FX and A series, to Red Weapons and Komodos, Canon C series and Black Magic URSAs. I am comfortable adjusting to any lighting and audio situation, and pride myself on creative and efficient filming and editing. P.S. I have my own complete lighting, camera and audio package and can be a one man band for projects as well. Staff Me Up: https://staffmeup.com/profile/spencerbruttig LinkedIn: https://www.linkedin.com/in/spencerbruttig/ IMDB: https://imdb.me/spencerbruttig Production Hub: https://www.productionhub.com/profiles/edit/373512

• Documentary DP
• Creative Director
• Commercial DP
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary
• Sound Mixer
• Line Producer / On-Location
• Senior Producer / Project Manager
• Colorist
• News Shooter / Video Journalist

William Martin is a BAFTA nominated documentary filmmaker focused on gender inequality, immigration, queer rights, and climate change. He graduated in 2021 with a master's in journalism, with a focus on News and Documentary. He also has a bachelor of arts degree from NYU Tisch in photojournalism. With funding from the Fund for Investigative Journalism and as a migration fellow with the Ground Truth Project, William created a 30 minute documentary examining the Trump administration’s controversial choice to continue detaining asylum seekers during the COVID-19 pandemic. Celeste and Maria, two undocumented women, survived both COVID-19 and human rights abuses while detained at Otay Mesa ICE detention center in California. No Way, Which Way, was a BAFTA student film awards shortlist and was selected for the Toronto Women's International Film Festival. Most recently, William was awarded grants from BAFTA and the Fund for Investigative Journalism to explore how the U.S. Border Closure has impacted transgender asylum-seeking migrants in Mexico’s dangerous border cities in the midst of Covid-19. After two years, the short film, Sin Hogar (No Home), will be released this late Fall. Here's a preview of the content published with The New Humanitarian—selected for IQMF Amsterdam and Tulum WE film festivals. William was also a Great Big Story Genesis student fellow, one of four students globally awarded an opportunity to create a short film. His story, The Dolphins of Laguna, follows the fishermen of a small town in Southern Brazil who have been collaborating with dolphins for over 100 years to catch fish. Safico, 68 years-old, has been fishing with one particular dolphin, Caroba, for 45 years. Safico goes to great lengths to both protect and uphold the tradition of fishing with dolphins. With funding from National Geographic, his documentary, Daughters of Drought, investigated how Malawian women are impacted by climate change. The film won Best Short Documentary at the Toronto International Women Film Festival and will be published with WaterBear in August. His video journalism is currently featured in Time, Teen Vogue, The GroundTruth Project, BRIC Media, and Al Jazeera.

• News Shooter / Video Journalist
• Documentary DP
• Creative Director
• Drone Operator
• Field Producer
• Video Editor - Documentary
• Production Assistant
• Editorial Photographer / Photojournalist
• Video Editor - News
• Fixer
• Production Company
• Gaffer
• Grip
• Video Editor - Commercial
• Immersive/Spatial Video Capture
• Reporter / Journalist
• Audio Storyteller
• On-Air Reporter / Host

Jeff Springer is an Emmy nominated documentary filmmaker and freelance cinematographer who has worked with PBS, NBC, Discovery, Paramount+, Sony Pictures, Lucasfilm, Channel 5 (UK), Arte (France), ZDF (Germany), and DR2 (Denmark), as well as brands such as Google, Amazon, Nike, and Microsoft. His first feature documentary went to over 200 film festivals and won 37 awards for Best Documentary. As a cinematographer he has shot numerous television documentaries, using his strong background in editing to not just create beautiful images, but to also build compelling visual stories. His latest feature documentary Rodents of Unusual Size, about giant swamp rats invading coastal Louisiana, was funded by ITVS, was broadcast nationally through Independent Lens on PBS, is rated 98% on Rotten Tomatoes, and was featured as an answer on Jeopardy. He grew up in Hawaii and has lived in Afghanistan, Russia, London, Berlin, Los Angeles, San Francisco, and is now based in New York.

• News Shooter / Video Journalist
• Documentary DP
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial
• Non-Fiction Film Director
• Commercial DP
• Corporate Videographer
• Production Company
• Drone Operator
• Field Producer

Ray Whitehouse (he/him) works at the intersection of documentary film and journalism. After growing up in Chicago, he lived in San Antonio, Texas, before moving to Washington, D.C. He works primarily as a director of photography. His feature-length directorial debut, A RUN FOR MORE, had its world premiere at Frameline in June 2022 and screened more than 30 festivals across the U.S. He served as the Second Unit DP on TO THE END, directed by Rachel Lears, which premiered at Sundance in 2022. BRING THEM HOME, a documentary short he co-directed and DP’d, premiered at the Big Sky Documentary Film Festival in 2022. He was part of the Washington Post team that was awarded the Pulitzer Prize for reporting about the Capitol insurrection and its aftermath. He’s worked as a cinematographer on more than 20 documentary features and filmed, produced and edited projects for The New York Times, The Washington Post, TIME, and Univision, among others. He is community coordinator for the D.C. chapter of Video Consortium and a regional co-chair of the Documentary Producers Alliance. He holds an M.A. in documentary journalism from UNC Chapel Hill and a B.S. in journalism from Northwestern University. The core tenets of his practice are transparency, collaboration and critical reflexivity.

• News Shooter / Video Journalist
• Editorial Photographer / Photojournalist
• Reporter / Journalist
• Documentary DP
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial
• Drone Operator

Hello! My name is Nacho Corbella and storytelling is my passion. I love shaping a story, shooting and been in the field, interviewing, and everything else content gathering entails. There's something athletic in the act. You put your whole body and mind into it. It's exhausting but tremendously fulfilling. I enjoy enormously assembling the puzzle of what a multimedia story is. Reviewing and selecting material, deciding which asset is best to convey what the story portrays. It's like writing, but far better. You can have the most beautiful images and incredible bits of audio, but if you don't know how to order them and ultimately make sense of them for the viewer, it's useless. It's like loose words on a piece of paper. That's what I love about editing: you're creating a language. It's a full on mind game. Multimedia is the type of work that I love engaging with and doing, but also the type of work that I think is meaningful and can promote change. I firmly believe is a medium that can reach people and spur them to understand issues fully and, consequently help bring change, especially when done with dedication and quality.

• Documentary DP
• Sound Mixer
• Video Editor - News
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• Video Editor - Commercial
• News Shooter / Video Journalist
• Corporate Videographer
• Creative Director
• Drone Operator

CUTTER HODIERNE is a documentary cinematographer. He has also worked as an award-winning feature film director. His debut feature film FISHING WITHOUT NETS, a story of pirates in Somalia told from the perspective of the pirates, won 'Best Director' at the Sundance Film Festival and was called "Sundance's most beautiful film" by The Wrap. His short film of the same title garnered international acclaim, including the Grand Jury Prize at the Sundance. The short was expanded into the first scripted feature film financed by VICE Studios and distributed by FOX. Cutter was named one of the 25 New Faces of Independent Film and was a fellow at the Sundance Screenwriter's Lab. Cutter's work in interactive mediums includes VR experiences like STRENGTH IN NUMBERS - NBA FINALS VR for OCULUS, A virtual museum exhibit: BERLIN WALL VR and art-installation films like OMNIA PER OMNIA. Cutter has also directed commercials for major brands like Intel, Microsoft, AEG, LiveNation, (RED), and others. Cutter began his career directing music videos in Washington, DC before traveling the world with U2 directing tour documentaries for the historic U2-360 Tour.

• Documentary DP
• Creative Director
• Commercial DP
• Corporate Videographer
• Fixer
• News Shooter / Video Journalist
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary
• Production Company
• VR / AR
• Metaverse
• Field Producer

Enrique Huaiquil is a Chilean-American award-winning cinematographer, photojournalist, documentary photographer, video editor, and graphic artist based in Northern Virginia. He has covered a wide variety of issues, including the Central American caravans trying to cross the U.S.-Mexico border, the aftermath of the earthquake in Puerto Rico, white supremacy in America, COVID-19 intensive care units, and immigration detention centers. Enrique has been documenting the immigration crisis in the U.S. In 2021, his focus was primarily on the growing Afghan community in the Washington, DC area as a result of the increased number of asylum seekers and refugees who had to flee Afghanistan with the American withdrawal in 2021. As a Pulitzer Center on Crisis Reporting grantee, he has explored and chronicled the challenges faced by refugees who evacuated Afghanistan after the Taliban takeover. Enrique's work has been published in a number of major news outlets including Al Jazeera English, NBC News, NewsMax, China Global Television Network, PBS, WETA, Bloomberg, and Business Insider. He has collaborated with a large number of NGOs, government agencies and educational institutions including GreenPeace, Sandy Hook Promise, and the Make-A-Wish Foundation. He is an Emmy Award recipient for video editing of a short documentary produced by Al Jazeera, He Survived Ebola, Now This Doctor Is Battling Coronavirus and a Webby award winner for cinematography for the video The Awful TRUTH about “No Trespassing” Laws. Enrique has a master's degree in filmmaking from AmericanUniversity and he is also a talented artist who specializes in oil-on canvases.He calls his style abstract-surrealist and has shown his work in several galleries in the DMV area.

• News Shooter / Video Journalist
• Video Editor - Documentary
• Animator / Visual Effects Artist
• Motion Graphics Designer
• Fixer
• Production Assistant
• Editorial Photographer / Photojournalist
• Event Photographer
• Portrait Photographer
• Landscape Photographer
• Product Photographer
• Corporate Videographer
• Documentary DP
• Video Editor - News
• Drone Operator
• Video Editor - Commercial
• Graphic Designer
• Fashion Photographer
• Gaffer
• Commercial DP
• Translator
• Senior Editor
• Storyboard Artist
• Immersive/Spatial Video Capture
• Mobile Journalist / Livestreamer
• Illustrator
• Colorist

Micah Garen is a documentary filmmaker, photographer and writer. He has over fifteen years experience all over the world, including Iraq and Afghanistan. He directed five Al Jazeera Correspondent documentaries including Identity and Exile, a two-part film that won the Golden Nymph for best news documentary at the Monte Carlo Festival of Television and Film in 2014. His short film from Afghanistan, Call Me Ehsaan, was a New York Times Op-Doc editor’s choice and has traveled nationally and internationally to film festivals. His news and documentary film work has appeared on television and online on Vanity Fair, Al Jazeera English, HDNet World Report, BBC America, the New York Times, the Financial Times, PBS, Newsweek, Granta Magazine and Michael Moore’s award-winning film Fahrenheit 9-11. His writing and photography has been published in Vanity Fair, The New York Times, The New York Times Magazine, Newsweek, the Financial Times, Die Zeit, Der Spiegel among others. His first book, American Hostage, a memoir about Micah Garen’s kidnapping in Iraq in 2004 and the efforts to secure his release, was published by Simon and Schuster in October 2005 and received starred reviews in both Kirkus Reviews and Publishers Weekly. Micah and Marie-Hélène lecture often about their work in Iraq and overseas at various universities and conferences, including Yale, Harvard, Columbia, PopTech and UNESCO. They and their work have been profiled on CBS Sunday Morning, which was nominated for an Emmy. They speak often on television and radio programs, and have been awarded fellowships at the MacDowell Colony and Ucross artist residencies, Film Independent and IFP.

• Documentary DP
• Video Editor - Documentary
• Reporter / Journalist
• Editorial Photographer / Photojournalist
• News Shooter / Video Journalist
• Field Producer
• Commercial DP
• Corporate Videographer
• Non-Fiction Film Director

Hello,    My name is Dylan Bank, I’m a cinematographer, editor and director in NYC. I do everything from news to fashion to feature films - my first movie was released by IFC in 2009, and my newest (of seven completed features) is a Netflix Original Documentary called "Get Me Roger Stone", which premiered in the 2017 Tribeca Film Festival.     I own two Panasonic 4K camera packages, a great lighting package, a steadicam, a sound package and more, and I edit on Premiere and Final Cut.     I know how to put together and run a complicated production from the first idea to the final edit, and I love working in a creative environment. Check out my website/reel and let me know if you'd like to talk in more detail. Thanks and good luck! -Dylan Bank www.DylanBank.com One Minute Sizzle Reel: https://vimeo.com/222555077 Three Minute Filmmaking Reel: https://vimeo.com/222431974 Interviews, Corporate, Steadicam, Fashion and Music Video reel - https://vimeo.com/320046962 "Get Me Roger Stone" - Official Trailer - https://www.youtube.com/watch?v=5IPyv4KgTAA&t=4s Dylan Bank, Director www.DylanBank.com x x

• Documentary DP
• Non-Fiction Film Director
• Video Editor - Documentary
• News Shooter / Video Journalist
• Commercial DP
• Corporate Videographer
• Video Editor - News
• Video Editor - Commercial
• Colorist
• Fashion Photographer
• HD Live Operator

Full service production professional with 15 years of experience working in broadcast TV, live sports, documentary films, and commercial content. Co-owner and senior producer at Juice Groove Films. After graduating Syracuse University's Newhouse School in 2006, I moved to New York City and began cutting my teeth in the fast paced world of sports television. After serving as a DP and editor on shows like "Mets Weekly" on SNY and "NY Giants 1st and 10" on MSG Networks, I branched out from sports to lifestyle content, working as a producer for both NBC and ABC. Ultimately, my passion for documentary filmmaking led me back to pursuing my own projects, and Juice Groove Films was formed in 2010. Over the past decade plus, our production studio has worked with major sports leagues, Fortune500 companies, online education platforms, and a wide range of commercial clients - in addition to producing our own documentary films. We are a full service agency specializing in all aspects of production from conception to delivery, for theatrical, TV, web, and mobile. Our green screen studio in Brooklyn features 4 edit bays and an equipment cage where we house our fleet of RED and Canon cinema cameras and lenses. Whether it's studio production, on-location coverage, documentary filmmaking, or post-production with high-end graphics capabilities, Juice Groove does it all. Our latest feature documentary film BLIND EYE ARTIST will be released in 2022: www.blindeyeartist.movie

• News Shooter / Video Journalist
• Documentary DP
• Commercial DP
• Corporate Videographer
• Production Company
• Senior Producer / Project Manager
• Post-Production Manager
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary

Justin Reyes has worked with storytellers, content creators, network marketers, designers, musicians, developers and creative agencies on video, social media platforms, still photography and concept creation. Years of production experience equipped Justin with tools such as producing and shooting both film and stills as well as editing, photo retouching, managing, troubleshooting and team building. Working with several large companies such as: NIKE, ADIDAS, BACARDI, GOOGLE, CARTIER, GREY GOOSE, HOWARD HUGHES, BUEMER and ALAM, Justin has transferred his knowledge and experience to his company JREY Productions. This has given him the opportunity to run his own productions and hire his own teams. Some of the artists JREY Productions has worked with are; DVINE, INDIGO GENERAL, YOUNG HYI, LARISSA KATE, WEALTHY COMMERCIALS, GYMZZY, KM3, PARIS, JCORP and ST ART NOW. Justin Reyes accomplished many goals while receiving many awards and scholarships, which gave him the opportunity to go to the School of Visual Arts to study cinematography. During this time, companies like SCHEIMPFLUG and MATTE PROJECTS approached him. Working at these establishments gave him both the knowledge in gear and business etiquette that makes him excel in his field. Justin has honed his talents in the film industry for JREY Productions, specializing in music videos, fashion shoots, corporate commercials, brand advertisement, events, lifestyle and fitness. There’s no job too big and no task too small to tackle.

• Creative Director
• Video Editor - Commercial
• Fashion Photographer
• Line Producer / On-Location
• Production Assistant
• Grip
• Gaffer
• Digital Content Creator
• Documentary DP
• Commercial DP
• Corporate Videographer
• Video Editor - Documentary