Moscow, Russia
$400 - $1200 / Day
Director and producer. Graduate from the Ural State University, department of journalism (2002) and Moscow-based Institute of Cinematography, department of documentary film directing (2007). Has been working with various studios since 2004, making documentaries. Her short movies (Faithful, the Old Dacha, Unemployed) have taken part in most prestigious festivals around Europe (DOK Leipzig, IFF Jihlava, etc.) and have won numerous awards. Her first full-length film LINAR was released in 2013, successfully screened and awarded internationally with premiere in Thessaloniki Documentary Film Festival as the Opening Film. Focuses mainly on human stories.
Produced for DOKer Project
Little Linar's heart is failing. Now his life depends on the transplantation possible only abroad. The film tells about the doctors and caregivers who fight for the boy's life at the same time making up for the absence of the mother who is far away.
Produced for DOKer Project
They are the experts of their job. Over a hundred thousand professionals in Russia. They are brave, courageous yet simple russian men. Their families await them but for their country they simply do not exist. In their homeland they are unemployed…
Produced for DOKer Project
An adventurous home brewer from Pennsylvania undertakes an unexpectedly harsh journey to the Arctic losing some of his friends on the way but achieving his goal - brewing an old recipe of Arctic ale, popular with the 19-century British sailors searching for the North-West passage.
Produced for DOKer Project
Sometimes rules and traditions of the ancestors stand in the way of one’s private life, but one puts up with that, always remaining loyal and faithful.
Four short stories - the winter, spring, summer and autumn transfer cyclicity of the Russian-Chinese relations on border of two countries. Attitudes of two small cities which are being on opposite coast - the Russian Blagoveshchensk and Chinese HeiHe, develop differently.
A summer day in 1964, a dacha near Moscow, a playing child, adults who are about to go to the river. Through these pastoral images pierces the sound of a typewriter importunately: in this dacha a "samizdat" (self-publishing) typography is at work. In the evening when the next issue of the magazine is ready, a black car drives up to the house...
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