February • 2019
Fantastic shooter & communicator. Delivered brief and went beyond in numerous ways. Highly recommended.
London, UK
1 review$500 - $1000 / Day
Filmmaker & Producer London pedrokuster.com Director, camera operator, editor, colourist and producer. I head the film department at Fact Magazine in London and work on mainly documentary and music and art related projects outside that time. Please visit www.pedrokuster.com for examples of my work. Feel free to email me at x or call me on my UK number (+44) 07725121862. Thanks for considering me for your project. Pedro
February • 2019
Fantastic shooter & communicator. Delivered brief and went beyond in numerous ways. Highly recommended.
A passion project on the UK's weirdest and most wonderful political party, The Monster Raving Looney Party, with a story with stories and facts that will surprise many. Screaming Lord Sutch was a remarkable character and highly underrated for all the lobbying and work he has contributed to UK politics.
A glimpse into the late night immersive world of Shangri-La at Glastonbury. I directed this project from pre to post-production and worked with a team of 10 people in order to capture all the footage you see in this video. Shangri-La remains one of my favourite places on this planet only second to MONA gallery in Tasmania, Australia.
Showreel of the projects I worked on in 2020 at Fact Magazine.
Documentary on filmmaker Pedro Maia's art and practice. Directed and filmed by me.
Bendik Giske is an artist and saxophonist whose practice frequently blurs the boundaries between performance, installation and music. Over two solo albums for Smalltown Supersound – 2019’s Surrender and 2021’s Cracks – Giske has pushed his instrument and body to the limit through circular breathing techniques that stretch and shape his tender compositions. In March 2021, Giske was commissioned by Oslo’s MUNCH Museet to create a new live work, Not Yet. Created in collaboration with sound artist Bridget Ferrill and featuring lighting and bespoke scenography by Theresa Baumgartner, Not Yet is a performance that explores ideas of queer time and ecstasy, drawing inspiration from the first passage of José Esteban Muñoz’s book Cruising Utopia, which references queerness as something glimpsed on the horizon that belongs to everyone. In this film, directed and produced by Fact’s Pedro S. Küster and featuring exclusive footage from the live performance of Not Yet, Giske discusses the many innovative techniques that go into creating his work, from circular breathing to using microphones mounted on the instrument to create different tonal qualities. Giske also discusses the inspiration behind Not Yet and the idea of ‘stepping out of the binary’ to create a unique tonal and spatial experience, one that communicates with both the audience and the performance environment. Credits: Not Yet Written and performed by Bendik Giske Film directed and produced by Pedro S. Küster Sound by Bridget Ferrill Light and stage by Theresa Baumgartner Costume by Nicola Walker Hair and make-up by Akischa Budd Filmed by Alice Sephton Ingrid Styrkestad Maja Wilhite Hannisdal Pedro S. Küster Sound mixed by Bridget Ferrill Not Yet was commissioned by MUNCH for MUNCH Live Performance produced by Erica Berthelsen and Anette Engkvist Additional production by Sofi B. Ringstad MUNCH Team Artistic Director: Ingrid Moe Senior Curator: Tominga O’Donnell Project Manager: Jonas Vebner Technical Manager: Lasse Baklien Production Manager: Kaja Langø Aasmoe Not Yet was supported by the Norwegian Cultural Council, the Fund for Performing Artists, the Fund for Sound and Vision and the City of Oslo.
For this episode of Patch Notes, we travelled with Caterina Barbieri to Sicily and recorded a session near the summit of Mount Etna, one of the world’s most active volcanoes. Amidst bubbling lava flows, Barbieri performed live versions of ‘At Your Gamut’ and ‘Terminal Clock’, taken from her 2022 album, Spirit Exit. The session was filmed in as part of our recent documentary on Barbieri, which followed the Italian musician as she returned to live performance following the pandemic and debuted the light-years concept around Europe. “I like to think of sound as a spiral that connects the physical world with the metaphysical world,” she explains in the film. Barbieri’s music, which combines modular synthesis, vocals and other instrumentation, has evolved across several albums including Patterns of Consciousness and Ecstatic Computation. On 16 June, Barbieri will release a sister album to Spirit Exit titled Myuthafoo, which was largely written while touring with a process that responded to the “nomadic, interactive energy” of life on the road. Follow Caterina Barbieri on Instagram: https://www.instagram.com/cat_barbieri/ Pre-order Myuthafoo here: https://caterinabarbieri.bandcamp.com... Credits: Directed and produced by Pedro S. Küster Extra footage by Sofia Küster Sound by Caterina Barbieri Special thanks to Parco dell’Etna, Regione Siciliana, Ministero dell’Ambiente, Federparchi, UNESCO, Daniela Pavone, Luciano Di Marco, Paride, Pippo and Ruben Spini
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