00174 Cinecitta RM, Italy
1 review$400 - $900 / Day
My background includes in-depth studies and several years of works in the field of music as well as video production for theatrical projects and documentary films about arts and social issues. I studied ten years at the Conservatory of Music of my city in Italy, and then obtained a BA in Communication, an MA in Film Studies, an MFA in Scriptwriting and a PhD in Communication in Milan. As a result of my will to serve as a humanitarian videographer, in the past few years I have become official videographer for NGOs like Compassion International, Global Mamas and International Women's Initiative, and started to work as a videographer for humanitarian projects. I am a very self-motivated person; I believe in team working and with my range of educational, artistic, and practical experiences, and as a videographer and editor with an unusual range of studies, international and eclectic experiences, I would be a useful asset to your audio-visual storytelling.
This work tells about the personality of Marie Duplessis, a young Parisian courtesan who lived in Paris from 1838 until 1847 and whom Alexandre Dumas Son looked at to create the character of Marguerite Gautier, protagonist of "The Lady of the Camellias". Later, this plot became the basis for the libretto of Verdi’s "La Traviata".
This is the first official trailer of my doc film. It is based on the emotional impact that Haitian children who belong to Compassion’s projects in Haiti give to anyone who has the possibility to meet them. The aim of this trailer is communicating and demonstrating Compassion’s work and commission, which is based on a personal relationship.
A short documentary film about a family of Syrian refugees leaving Lebanon for Trentino, Italy Directed by Andrea Franceschini Pictures by Alessio Romenzi and Augusto Goio Produced by FilmWork
Produced for Istituto Culturale Ladino
"Monologhes" imagines a brief debate in Ladin between four inhabitants of the Ladin reality, whose testimonies merge into a sort of multi-voiced "stream of consciousness", a "choral monologue" which underlines almost like a fresco on one side a apparent loneliness on a visual level, on the other a tangible collective uniqueness on a verbal level. Ranging on the ground between the faces of the protagonists and in flight along the silent depths of the valley, the visual fabric represents the very personification of the mountain, a patient spectator of a pandemic that has taken away but also returned and reflected an invaluable human experience capable of surviving.
The practice of using shackles and chains (known in Indonesia as pasung) to physically restrain people with mental illness is widespread in Indonesia (as in many other developing countries) and almost universally ignored. The Indonesian government is the first of any low or middle-income country that has established a national program to eradicate this practice.
Produced for TIME Magazine
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